
Cartoon Series (6th)

  
information on Korean stamp
| Date of Issue |
: 2000.05.04 |
| Types |
: 2 |
| Denomination |
: 170 won |
| Design |
: Bae Gum-taek`s `Youngsim-i` |
| Stamp No. |
: 2068 |
Printing Process
& Colors |
: Photogravure, 5 colors |
| Size of Stamp |
: 26×36 |
WholeSheet
Composition |
: 4×5 |
| Image Area |
: 26×36 |
| Paper |
: White Unwatermarked |
| Perforation |
: 13 |
| Printer |
: Korea Minting and Security Corporation |
| Designer |
: Park,Eun-kyung |
| Quantity |
: 2000000 |
Detail
`Cartoons evoke fond memories, serving up a refreshing and welcome reminder of tonic fun into our otherwise dull everyday life with their daily doses of little laughs. This sixth collection of the Korean cartoon series features `Goindol,` drawn by Pack Soo-dong, and `Youngsim-i` created by Bae Gum-taek.
Park Soo-dong`s `Goindol`
In this hilariously humorous, witty, and entertaining comic strip set in the Stone Age, Goindol, the short and stocky protagonist with a flat, round face and hair parted down the middle, weaves a masterful tale about sex (a then-taboo subject although its treament is tame by current standards), along with four other libido-driven men, three women, and an elderly man who serves as the village patriarch. In the process, readers get poignant insight into life`s essential elements, runningthe gamut of universal human feelings through the perspective of an imaginary Stone Age. Considered to be a representative Korean adult cartoon strip, `Goindol` has enjoyed a long-standing popularity among Koreans since it debuted in 1974 in Sunday Seoul, a popular men`s magazine.
Bae Gum-taek`s `Youngsim-i`
This cartoon follows the life of Youngsim-i, a 13-year-old girl with a round face, big, dreamy eyes, and a long ponytail, which revolves around Kyungtae, a shy and awkward boy whose pure heart is smitten with this impressionable adolescent girl, with her family and friends as supporting foils. This candid and funny rendition of the daily twists and turns of seemingly ordinary events touched such a responsive chord in its broad readership when it was serialized in I.Q. Jump, a comic magazine for children, from 1989 to 1993, that it was subsequently made into a hugely popular TV animation series. `
